“Are you an artist?” I struggle to decipher first from Italian then an attempt at English. I’m sketching the Ponte Vecchio as an assignment for my ceramics class in order to create a piece out of clay slabs inspired by architecture. I’m trying to get the most basic shape of the bridge with the quaint houses hanging off of it, and people keep peering over my shoulder, possibly hoping to see one of the many young talented artists that flock to the Renaissance city. Usually they walk away quickly after a glimpse of my poor sketches. Sometimes though, I strike up some wonderful conversations with local artists.
This man was middle-aged and had come to Florence to study art. I certainly admired his bravery for choosing that path so late in life. We struggled to have a conversation because he spoke Italian, Spanish, and French and I only speak English and a little German, but I was able to learn he was a sculptor and a painter. He tried to talk to me of art and Florence, it’s beauty and how he was inspired by it, but I am sad to say I struggled to keep up with much of the conversation. He didn’t seem to mind my lack of understanding, and I could tell from his inflection he was just happy to be speaking of his passion to anyone who would listen.
I didn’t comprehend when I came here just how much I would be surrounded by artists, art, and its admirers. Within a mile’s walk I have access to scores of museums and historical sights, most of which feature art or the Medici family who were such patrons of the arts that there is little distinction between the two. Every day I am here, I feel my appreciation grow a little more, my creativity enliven with every new project I undertake in class. It has been difficult to break the logical, orderly bonds coming from four and a half years of mechanical engineering courses, but little by little I am opening up to the wonders of this beautiful city, finding a personal balance between art and science just as those in the Renaissance did hundreds of years ago.
It is strange to be present in a city whose rich history is still so prevalent. Daily, I walk by the Duomo, the 15th century octagonal domed cathedral in the center of Florence, and venture out to places hundreds of years older than any city at home in the United States. My Italian teacher, a staunch Italian woman who reminds me of my mother, had once in a digression from reciting Italian pronouns barked, “Everyone in the world has such an appreciation for Florence’s Renaissance history, so nothing has changed since then.” Florence, and even the few other parts of Italy I have seen, are struggling with this. On a field trip to the little Tuscan town of Vinci, we were driving on the narrow winding roads, and the scenery was picturesque… except for that huge electric tower and wires spanning the valley, marring the view of the vineyard below. I found myself annoyed with the scene until I realize that the Tuscan people need electricity too. They do not want to live back in the 1500s; only the tourists want to see a world untouched by modern technology. In Siena, that notion prevails; there, no roof is allowed to have solar panels in order to preserve the idyllic view of terra cotta throughout the city.
Florence and Tuscanny seem to be carefully emerging out of this Renaissance world. It is a beautiful one, one that people flock to to study art or simply to behold with their own eyes, but it is a struggle to find a place for technology alongside nostalgia. This is a question that quite possibly has no right answer: exult the beauty and glory of the past, or lose the romance to modernization? And it is a sensation I can relate to when my precise mechanical engineering brain grates at my lopsided sketch of the Ponte Vecchio, and I reply, “I hope so.”